Ray Hernández-Durán

Professor, Ibero-American Colonial Art and Architecture, Arts of Nineteenth-Century Mexico, and Museum Studies

Ray Hernández-Durán completed his B.A. (1988) and B.F.A. (1990) at the University of Texas at Austin, his M.A. (1994) at the University of Wisconsin-Madison, and his Ph.D. (2005) at The University of Chicago. He is currently Professor of Art History in the Department of Art at the University of New Mexico. His specialized courses focus on the visual and material cultures of the Spanish American territories from 1496 through 1898, with research concentrations, geographically, in New Spain/Mexico/U.S. Southwest, and historically, in the 18th- and 19th centuries. Among the various courses he offers outside of the colonial area are included, Baroque Art and Architecture, Arts of Spain, U.S. Latinx art, the Arts of Sub-Saharan Africa and the African Diaspora, Museum Studies, and Historiography and Methods.

His work appears in such publications as, Revista de História da Arte e Arqueologia, Nineteenth-Century Art Worldwide: Visual Cultures of the Nineteenth Century, Nineteenth Century Studies: The Interdisciplinary Journal of the Nineteenth Century Studies Association, Hacia otra historia del arte en México, Religion as Art, Woman and Art in Early Modern Latin America, Buen Gusto and Classicism in the Visual Cultures of Latin America 1780–1910, The Oxford Handbook of the Aztecs, The Encyclopedia of Race and Racism, and Encyclopedia of Mexico: History, Society, and Culture, among others. His book, The Academy of San Carlos and Mexican Art History: Politics, History, and Art in Nineteenth-Century Mexico (Routledge, 2017) will be followed by a second monograph, A Historiography of Colonial Art in Mexico, ca. 1855–1934 to be published by the University of New Mexico Press and an edited volume, A Routledge Companion to U.S. Latinx Art, for which he he will serve as editor.

Ray has been the recipient of various awards throughout his academic career, including: a Title VI F.L.A.S. Fellowship to study Portuguese in Brazil, a Fulbright-Hays Group Projects Abroad Fellowship to study and conduct research in Nigeria, a second Title VI F.L.A.S. Fellowship to study Yoruba at UW-Madison, an African Studies Travel Grant to conduct research in Haiti, a Fulbright-Hays Dissertation Fellowship to conduct research in Mexico City, a MacArthur Fellowship to fund his position as MacArthur Fellow in the Department of Prints and Drawings at the Art Institute of Chicago, a National Endowment for the Humanities grant to support a speaker series on colonial art, and most recently, a Fulcrum Fund grant from the Andy Warhol Foundation to support the production of an exhibition catalogue and a speaker series for an exhibition he curated as part of programming for the 2017 Way OUT West Film Festival.

Ray is affiliated with the Latin American and Iberian Institute, and Latin American Studies at UNM, and is a Research Associate of the Southwest Hispanic Research Institute. He served as Interim Curator at the University of New Mexico Art Museum (2014–2016) and is currently a member of the Spanish Colonial Arts Society Spanish Market Standards Committee in Santa Fe. Nationally, he was a member of the College Art Association Conference Committee (2010–2013), the body that reviews session proposals and selects the panels for the annual conference; the AP Art History Development Committee (2008–2012), where he helped develop the art history exam students take every year; and he was one of 8 specialists who designed the new AP Art History course taught across the United States, as a member of the AP Art History Curriculum Review Committee (2010–2012). Ray co-founded the Colonial Studies Working Group and the Interdisciplinary Methods in Colonial Studies colloquium, both, with support from the LAII. In 2006–2007, he helped found the graduate student journal, Hemisphere: Visual Cultures of the Americas, which is produced in the Department of Art and for which he has served as chief editor and is faculty advisor. He is also chief co-editor of the journal, Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest, which he co-founded with support from the Southwest Hispanic Research Institute.